Rap Gossip International

Diddys Sohn auch mit Minderjährigen. So der Vater, so der Sohn.

Kann das wer lesen? Paywall
https://www.stern.de/kultur/p--didd...nichts-als-eine-Respektsperson--35083684.html
 
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hier mal etwas abwechslung und andere craziness
 
Jaystah schrieb:
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hier mal etwas abwechslung und andere craziness
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kann irgendeine rapperin der mal ne bombe geben biddo?
 
Ich möchte hier nochmal eine Lanze für unsere lokalen Unterdrückerbanden brechen...

Ein Arafat hat Bubu maximal mit ner Plastikflasche verfehlt... das ist das höchste der Gefühle... Amiland ist nochmal Vater der Unterdrückerfilme.:emoji_joy:
 
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Pacs Original Back Cover Of Makaveli
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video_image-493865.jpg




haha der Diddler in dem Dress, Pac wollte uns schon damals alle warnen und da war der Diddler erst am Anfang seiner Schandtaten


bei Iron Mike hat er es auch versucht haha

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Suwhooop schrieb:
video_image-493865.jpg




haha der Diddler in dem Dress, Pac wollte uns schon damals alle warnen und da war der Diddler erst am Anfang seiner Schandtaten


bei Iron Mike hat er es auch versucht haha

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Bitte das OGbackcover ist heilig - Danke, noch nie jesehen...
 
Suwhooop schrieb:
video_image-493865.jpg




haha der Diddler in dem Dress, Pac wollte uns schon damals alle warnen und da war der Diddler erst am Anfang seiner Schandtaten


bei Iron Mike hat er es auch versucht haha

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Lustig wie die selben alten Clips jetzt ständig in der Timeline hochkommen. Die Story mit dem Cover ist auch nicht neu? Es gab vor Jahren schon ein Interview mit dem Artist, wundert mich dass man hier @Decepticon ein Schnippchen schlagen konnte!

You went from doing graffiti and making t-shirts for your friends to working with Tupac Shakur at the height of his career. How did that happen?

My aunt got me into art at a young age. She drew stuff when she would babysit me and I would copy her drawings. When I was in high school, I did graffiti and started airbrushing t-shirts at the Compton Swat Meet and people would pay me well to do their clothes. I developed a buzz around the city and it must have got Suge Knight’s attention.

I give Suge all the credit as he literally plucked me out of the streets and gave me a position at the biggest hip-hop label in the country. The media loves to paint Suge as this bogeyman, but he would pass out turkeys to the poor on Thanksgiving, give out toys to school kids at Christmas and on Mother’s Day he would host Death Row events for mothers without money. A lot of rappers like to rep Compton, but they don’t really give back to the community like Suge did. You gotta remember that nearly every member of the staff at Death Row was someone plucked from the ghetto! It was the very definition of a black-owned label; he gave opportunities to people who had nothing!

Anyways, so Suge showed Tupac my portfolio, he liked it, and from there I did a cartoon for the All Eyez On Me liner notes. I literally started as an in-house artist on Death Row the day Snoop Dogg got acquitted for murder.
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What did you learn from Tupac and how did The 7 Day Theory artwork come together?

He was only a year older than me, but Pac was the big homie! He was so generous and a crazy workaholic. I remember I went to his house and Pac had this table set up where he would write. It was surrounded by these opulent red curtains, like this grand cubicle he could concentrate at while writing. It wasn’t an area you would expect a rapper to write at, it looked more like somewhere James Baldwin would write at! When Pac would write, it was like he was putting blocks together. The lyrics just poured out of him so quickly.

Being in the studio with Tupac, he would speak a lot about feeling like he was being crucified by the media and being blamed for things that he didn’t have any control over. The concept [for the artwork] was all his, with the different cities on the cross showing he was the most hated wherever he would go. His crucifixion was supposed to be a statement about race and what it felt like to be young, rich and black in America. The 7 Day Theory was originally going to be this underground album; Pac predicted the rise of mixtapes and was only going to sell it only at the mom-and-pop stores. It only turned into a commercial album after he died
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Do you remember his reaction when he first saw the artwork?

It was September 6, 1996, [the day before Pac was shot in Vegas] and I went to visit him in Malibu, California as Suge wanted a first draft by then! Pac loved it, he was in good spirits and thanked me for making what was in his head a reality. Death Row had just given me a budget to buy more arts supplies and canvases, and Pac wanted me to make paintings for his house. He promised when he got back from Vegas he would host an art show introducing my work to the music industry. Unfortunately, he never made it back.
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That must have been a bittersweet feeling…

That album is a gift and a curse for me. It’s a gift because I got a chance to work with the greatest rapper of all time and it opened doors for me, but it’s a curse because he died in such a brutal way. It was such a bittersweet moment. The album changed a lot when Pac died, it was no longer a mixtape and they made it into a studio album. The original artwork had images I did of Biggie as a pig and Puffy as a ballerina, because Pac was still at war with them. That all got taken out when it became this commercial project.

I will never forget Tupac’s generosity. You got to remember, I was just some kid at the Compton Swap Meet, but he saw my work and gave me an opportunity. I still live off my work with Death Row, so I owe Suge and Pac everything I have today!
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https://crackmagazine.net/article/l...ind-tupacs-haunting-the-7-day-theory-artwork/
 
Glaube wird wieder Zeit für diesen Banger...

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Ice Cube stellt schon mal klar dass er nie auf ner Diddy Party war :emoji_laughing:

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Hier ein (angeblich) ehemaliger Staatsanwalt oder A.D.A. zur Causa Diddler... das meiste schon gehört, aber schön mal alles aus einer professionellen Sicht zu hören...

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